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Synopsis

How do designers improve their products to work around flaws in human logic? If anything is to be learned from behavioral economics, it is that how people should behave is not how they do behave.

In The Design of Everyday Things, Don Norman argues that designers must accept this fact. Norman teaches the top frameworks behind this "human-centered" design system, the three most important areas of design, and why designers must consider additional principles besides logic, such as psychology, cognitive science, and art, to design excellent products that work better across any industry.

Questions and answers

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A signifier in design refers to any mark or sound that communicates important information to the user about a product's operation or state. For example, the "power" symbol on electronic devices is a universal signifier that indicates where to turn the device on or off.

When I first used a digital camera, the signifier of a small camera icon led me to correctly use the object. This icon was located on a button that, when pressed, allowed me to take a photo. The presence of this signifier made the camera intuitive to use and enhanced my interaction with the product. It reduced the learning curve and made the experience more enjoyable.

Signifiers play a crucial role in product design by guiding users on how to use a product correctly without needing extensive instructions or prior knowledge. They make products more user-friendly and improve the overall user experience.

The idea that users are not to blame for errors significantly shifts the responsibilities of a designer. It implies that designers should focus more on understanding the users' needs, behaviors, and limitations. They should design products that are intuitive, easy to use, and error-proof. This approach is known as "human-centered" design.

Designers must consider principles beyond just logic, such as psychology and cognitive science, to create products that align with how users think and behave. They should also consider the aesthetic aspect of the product to make it more appealing to the users. This approach ensures that the product is not only functional but also enjoyable to use.

In essence, the responsibility of a designer extends beyond creating a product that works. They are also responsible for ensuring that the product is user-friendly and minimizes the potential for user error.

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Top 20 insights

  1. Two of the most important features of good design are discoverability and understanding. Discoverability: Is it possible to figure out what actions are possible and how to perform them? Understanding: What does it all mean? How is the product supposed to be used? What do all the different controls and settings mean?
  2. Discoverability comprises five fundamental psychological concepts: 1) Affordances (a chair affords support, so in turn it affords the ability to sit); 2) Signifiers (a flat panel on a door signifies one should push); 3) Constraints (imposed limitations on design that can come in four types: physical; cultural; semantic; and logical); 4) Mappings (ordered switches on the wall might specify which switch is for which light); 5) Feedback (the communicating of an action).
  3. "Today, I realize that design presents a fascinating interplay of technology and psychology, that the designers must understand both. Engineers still tend to believe in logic. … 'Why are people having problems?' they wonder. 'You are being too logical,' I say. 'You are designing for people the way you would like them to be, not for the way they really are.'"
  4. The seven stages of action comprise one stage for goals, three stages for execution, and three stages for evaluation: 1) Goal (form the goal); 2) Plan (the action); 3) Specify (an action sequence); 4) Perform (the action sequence); 5) Perceive (the state of the world); 6) Interpret (the perception); 7) Compare (the outcome with the goal). This is a simplified breakdown but offers a useful framework to guide design.
  5. "When people use something, they face two gulfs: the Gulf of Execution, where they try to figure out how it operates, and the Gulf of Evaluation, where they try to figure out what happened. The role of the designer is to help people bridge the two gulfs. … The gulf [of Evaluation] is small when the device provides information about its state in a form that is easy to get, is easy to interpret, and matches the way the person thinks about the system."
  6. Norman recommends 'root cause analysis' to define one's goals and subgoals, with the aim to discover the root cause of an action. If someone reads until it gets dark, their goal becomes to turn a light on. But this is really a subgoal to read; reading is a subgoal for learning; learning is a subgoal for application, and so on. Conduct this kind of root cause analysis and major innovations may follow — in design or elsewhere: constantly ask why — what is the real goal?
  7. A useful framework for root cause analysis is what Norman calls the 'Five Whys'. Originally used by Sakichi Toyoda and the Toyota Motor Company to improve quality (a company renowned for its quality-control), it simply asked 'why' repeatedly. It might not always consist of five questions, but it is framed as such to encourage one to ask the question repeatedly. "Why did it go wrong?" Human error. "Why was there human error?" He was tired. "Why was he tired while operating dangerous machinery?" And so on.
  8. "Harvard Business School marketing professor Theodore Levitt once pointed out, 'People don't want to buy a quarter-inch drill. They want a quarter-inch hole!' Levitt's example of a drill is only partially correct, however. … Once you realise that they don't really want the drill, you realize that perhaps they don't really want the hole, either: they want to install their bookshelves. Why not develop methods that don't require holes? Or perhaps books that don't require bookshelves."
  9. The seven stages of action—a useful framework for designers to use: 1) What do I want to accomplish? 2) What are the alternative action sequences? 3) What action can I do now? 4) How do I do it? 5) What happened? 6) What does it mean? 7) Is this okay? Have I accomplished my goal? "This puts the burden on the designer to ensure that at each stage, the product provides the information required to answer the question."
  10. There are two types of knowledge that people use on a day-to-day basis: knowledge of—referred to by psychologists as declarative knowledge (remember to stop at red traffic lights)—and knowledge how—also known as procedural knowledge (skills to be a musician). One need not recall exactly what a coin looks like to pay for things; knowledge that it is a coin is enough.
  11. Why did millions of Americans confuse the Susan B. Anthony dollar coin with the pre-existing quarter, yet nobody confused the new $20 bill with the identically sized $1 bill? Because all notes in America are the same size, so Americans subconsciously determined that size was not a factor by which to differentiate notes. Coins, on the other hand, are frequently differentiated by size. "Consider this an example of design principles interact with the messy practicalities of the real world," Norman writes. "What appears good in principle can sometimes fail when introduced to the world."
  12. There are two types of memory that have different implications for design. First, short-term or working (STM) memory is important for designers to consider because it is not reliable; it is too flimsy and leaves the mind quickly, especially if there are distractions (a good example of this in poor practice is electronic medical-records systems that automatically log nurses out, which forces them to write vital information down on their hands before it is lost).
  13. The other—long-term memory (LTM)—can create natural mappings for product users; for example, if a motorcyclist forgets how to signal a left turn (whether to push or pull a switch), they might recall that when they turn right, the left handlebar moves forward. Their LTM has given them a frame of reference to remember how to use a product. Designers should consider this principle to guide natural mappings.
  14. Approximations can be important tools for one to use when they design things. For example, an approximation of STM might be: "There are five memory slots in short-term memory. Each time a new item is added it takes up a slot, which knocks out whatever was there beforehand." Is it precisely true? No. But it serves a useful function. Use such approximations to help yourself.
  15. There are four kinds of constraints: physical, which use properties of the physical world to suggest action; cultural, which are based on cultural norms, because "each culture has a set of allowable actions for social situations"; semantic, which rely on the meaning of a given situation to control the set of possible actions; and logical, which use good-old logic, usually through the advantage of logical relationships between "the spatial or functional layout of components and the things that they affect or are affected by."
  16. "When a device as simple as a door has to have a sign to tell you whether to pull, push, or slide, then it is a failure, poorly designed."
  17. "If all else fails, standardize. … If all makers of faucets could agree on a standard set of motions to control amount and temperature … then we could all learn the standards once, and forever afterward use the knowledge for every new faucet we encountered. If you can't put knowledge on the device (that is, knowledge in the world), then develop a cultural constraint: standardize what has to be kept in the head."
  18. Toyota has long been known for its manufacturing excellence. Its method to minimize error is based in part on the philosophy of jidoka—roughly translated to 'automation with a human touch'. At the Toyota Production System, workers are expected to report any error, which often means entire assembly lines must be halted. This is in contrast to many cultures which emphasize efficiency and economic maximization; social pressures often prevent people from the report of errors. At Toyota, when an error is noticed, a special cord called an andon stops the assembly line and alerts the expert crew. Toyota also punishes non-reporting of error. This is an example of how products and systems can be designed to ensure safer, more effective work environments.
  19. The temptation in business is to continually add new features to an already great product. A company will make something that works, but eventually, the market becomes saturated: everybody now owns the product. Competitors release similar products with more features. Hence what Norman calls 'featuritis'. "Good design requires designers to step back from competitive pressure and ensure that the entire product is consistent, coherent, and understandable. This stance requires the leadership of the company to withstand the marketing forces that beg to add this feature or that, each thought to be essential for some market segment."
  20. There are two kinds of innovation, according to Norman: radical and incremental. Each has its utility, and no one is more valuable than the other. Incremental innovation is the slow, steady changes made to the automobile over the course of 100 years. This is more appropriate than radical innovation in some cases. Radical innovation on the other hand is "what many people seek, for it is the big, spectacular form of change," Norman writes. "But most radical ideas fail, and even those that succeed can take decades." Not every change has to be radical.

Summary

Ever asked, "How the hell does my thermostat actually work, and why on God's green earth must it be so confusing?" Everyday things are often designed poorly. Designers often go for style over substance — beauty over utility. Companies add needless features to products to increase sales but do nothing for a product's design. Commuters shouldn't have to perform tai chi to operate train station taps.

Questions and answers

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Conceptual models and feedback are crucial in design as they help users understand and interact with a product more effectively.

A conceptual model is a representation of how something works. It helps users form a mental model of the system, which aids in predicting the system's behavior and understanding how to interact with it. For instance, a conceptual model of a car includes the steering wheel for direction, pedals for speed, and so on. This model helps users understand how to operate the car.

Feedback, on the other hand, is about communicating the result of an action to the user. It helps users understand if their actions have led to the desired outcome. For example, when a user clicks a button on a website, a change in color or a message indicates that the action was successful.

Together, these concepts make a product more user-friendly and intuitive, reducing the learning curve and enhancing the overall user experience.

Reflecting on personal experiences, there was a time when a poorly designed microwave oven led to incorrect usage. The signifier, in this case, was the multitude of buttons with cryptic symbols, which were supposed to indicate different cooking modes. However, their meaning was not intuitive, leading to confusion and incorrect usage.

To improve the design, the microwave could have used more intuitive symbols or even simple text to indicate the different functions. Additionally, a user-friendly manual or a digital display with clear instructions could have been included. This would have made the microwave more "human-centered", aligning with Don Norman's principles of design.

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In The Design of Everyday Things, Donald A. Norman offers a desperately needed perspective on design. The book emphasizes the need for human-centered design and draws on various subjects from psychology to art and offers useful frameworks for designers to make things with the user in mind — warts and all.

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The psychopathology of everyday things

Ever approached a door and did not know how to use it? Should you push or pull? Slide or rotate? Wave? So has Donald A. Norman. So much so that such doors are now known as Norman Doors. Don Norman is an engineer by trade and by nature. He sees the world as many engineers do: logically.

Norman has a friend that became stuck between two sets of doors because their hinges were not visible and he could not figure out how to pass through. The building's entrance "probably won a design prize," Norman writes sarcastically. But because it causes confusion, it is designed poorly.

For simple designs, like those for a door or kettle, manual instructions to "push" or "pull" should not be necessary. Good design should indicate action by itself. Make a pillar visible so that it's clear which side of a door is attached to a hinge. When simple things are overly complex, Norman writes, "the whole purpose of the design is lost."

Questions and answers

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Good design significantly enhances the usability of a product. It makes the product intuitive and easy to use, eliminating the need for detailed instructions or guidance. It ensures that the product's purpose is clear and that it can be used effectively and efficiently. When a product is well-designed, users can understand and use it without confusion or difficulty, which improves their overall experience and satisfaction.

The principles of psychology, cognitive science, and art can be applied in product design by understanding how users interact with and perceive objects. This involves creating intuitive designs that indicate their function and use, such as making a pillar visible to indicate which side of a door is attached to a hinge. Overly complex designs can confuse users and defeat the purpose of the design.

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The three key areas of design

Norman focuses on three areas that fall under the category of design:

  1. Industrial design: Industrial designers tend to focus on form and material. Industrial design is the professional service to create and develop concepts and specifications that optimize the function, value, and appearance of products and systems for the mutual benefit of the user and manufacturer.
  2. Interaction design: Interaction designers focus on understandability and usability. The design is based on how people interact with technology. The goal is to enhance people's understanding of what can be done, what is happening, and what has occurred. It draws on principles of psychology, design, art, and emotion to ensure a positive user experience.
  3. Experience design: Experience designers emphasize the emotional impact of a given design. Under this method, the quality and enjoyment of the total experience are considered across products, processes, services, events, and environments.

The five principles of good design

Discoverability is a crucial stage of user experience and comprises five fundamental psychological concepts:

1. Affordances

The relationship between an object's properties and the capabilities of the agent that interacts with it—ergo, a chair affords support, so in turn, it affords the ability to sit on it. An affordance only exists if the agent can interact appropriately; for example, if a child is not strong enough to lift a stool, the stool does not afford lifting. Affordance is relative. To be effective, affordances and anti-affordances have to be discoverable.

Questions and answers

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Designers face several challenges when considering affordances in their designs. Firstly, they need to ensure that the affordances are discoverable and intuitive. This means that the user should be able to understand how to interact with the design without needing explicit instructions. Secondly, designers need to consider the capabilities of the user. An affordance only exists if the user can interact appropriately with the design. For example, a button that is too small for a user to press does not afford clicking. Lastly, designers need to balance functionality with aesthetics. While a design should be functional and easy to use, it should also be visually appealing.

Anti-affordance is a design concept that discourages or prevents certain interactions with an object. It's applied in the design of everyday things to guide users towards correct usage and away from misuse. For example, a door with a flat plate on one side affords pushing, not pulling, thus the flat plate acts as an anti-affordance for pulling. Similarly, a software application may gray out options that are not currently available, serving as an anti-affordance. To be effective, these anti-affordances must be discoverable and understandable by the user.

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2. Signifiers

Signifiers are the components that signal affordance. A flat panel on a door signifies the need to push it open. Affordances determine what actions are possible. Signifiers communicate where the action should take place. "When external signifiers—signs—have to be added to something as simple as a door, it indicates bad design."

Questions and answers

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A small business can use the key topics or framework covered in The Design of Everyday Things to improve their product design by implementing the principles of "human-centered" design. This involves understanding the needs and capabilities of the user and designing products that are intuitive and easy to use. For example, the concept of "signifiers" can be used to guide the user's actions - like a flat panel on a door indicating it needs to be pushed. By focusing on these principles, a small business can create products that are not only functional but also enjoyable and easy to use.

The Design of Everyday Things by Don Norman provides several case studies and examples to illustrate the principles of human-centered design. One key example is the concept of signifiers and affordances. A signifier is a signal for some sort of affordance, an action that can be taken. For instance, a flat panel on a door is a signifier that signals the need to push it open. This example illustrates the importance of intuitive design - if external signs have to be added to something as simple as a door, it indicates bad design. The broader implication is that good design should be intuitive and not require additional instructions or signs. This principle can be applied to a wide range of design contexts, from product design to user interface design.

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3. Constraints

There are four kinds of constraints. Physical, which use properties of the physical world to suggest action; cultural, which are based on cultural norms, because "each culture has a set of allowable actions for social situations"; semantic, which rely on the meaning of a given situation to control the set of possible actions; and logical, which use good-old logic to take advantage of the logical relationships between "the spatial or functional layout of components and the things that they affect or are affected by."

Questions and answers

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Understanding these constraints in the human-centered design system is significant because they guide the design process and help in creating products that are intuitive and user-friendly. Physical constraints use properties of the physical world to suggest action, cultural constraints are based on cultural norms, semantic constraints rely on the meaning of a situation to control possible actions, and logical constraints use logic to take advantage of the relationships between components. By understanding these constraints, designers can create products that are more aligned with human logic and behavior, thereby improving user experience.

Logical constraints in design use logic to take advantage of the relationships between the spatial or functional layout of components and the things that they affect or are affected by. This means that the placement and function of each component in a product is logically related to the other components. For example, in a car, the steering wheel is placed in front of the driver's seat because it logically makes sense for the driver to have direct access to the steering controls. This logical constraint contributes to the overall functionality and usability of the product.

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4. Mapping

Mappings indicate the relationship between two sets of things. For example, if there are rows of spotlights in a ceiling, a series of switches on the wall might specify which switch is for which light, depending on their order. This would constitute mapping: the switches are mapped according to the lights. Another example might be a car steering wheel: when it turns right, the top of the steering wheel moves right along with the car itself. The car uses spatial correspondence to make use of the car simple and obvious.

Questions and answers

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1. Understand the users: Designers should focus on understanding the needs, abilities, and limitations of the users.

2. Use mappings: Mappings indicate the relationship between two sets of things. They can be used to make the design intuitive and user-friendly.

3. Focus on human-centered design: The design should be centered around the user. It should be easy to understand and use.

4. Consider spatial correspondence: Like the example of the car steering wheel in the book, spatial correspondence can make the use of the product simple and obvious.

Small businesses can implement the principles of mapping in their product design by ensuring that there is a clear relationship between the user's actions and the system's response. This can be achieved by using visual cues, spatial correspondence, and logical sequencing. For example, if a product has multiple functions, each function can be associated with a specific button or switch. The layout of these controls should match the layout of the functions on the product, creating a 'map' that users can intuitively follow. Additionally, feedback should be provided to the user to confirm their actions, further enhancing the user experience.

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5. Feedback

Feedback in design is crucial and should be immediate. It is the communication of an action. If a cyclist is at a red traffic light that stays red for longer than expected, perhaps it has not registered the cyclist's presence, because their vehicle is smaller than a car. The system lacks feedback.

6. Conceptual models

There is a sixth principle of good design: the conceptual model of the system. Simply, this is an explanation of how something works. Files and folders in one's computer are not files or folders; they are conceptual models of those objects because humans are used to how these objects perform a similar function in real life. This is a useful conceptual model.

Questions and answers

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The lessons from The Design of Everyday Things can be applied to improve the design of everyday products by focusing on the principles of good design. One of these principles is the conceptual model of the system, which is an explanation of how something works. By understanding how users perceive and interact with objects in real life, designers can create products that are intuitive and easy to use. For example, using the concept of files and folders in a computer system is a reflection of how these objects are used in real life. This makes it easier for users to understand and navigate the system.

The book "The Design of Everyday Things" by Don Norman incorporates psychology, cognitive science, and art into design principles by focusing on the concept of "human-centered" design. This approach takes into account the way humans think and behave, using psychological and cognitive science principles to understand how users interact with objects and systems. The book emphasizes the importance of intuitive design that aligns with human expectations and cognitive models, which is where the art aspect comes in. Artistic design principles are used to create aesthetically pleasing, intuitive interfaces that users can understand and interact with easily.

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"We bridge the Gulf of Execution [where a user tries to figure out how a thing operates] with signifiers, constraints, mappings, and a conceptual model. We bridge the Gulf of Evaluation [where a user tries to figure out what happened] through the use of feedback and a conceptual model."

When something goes wrong, like when information stored on the cloud goes missing, the conceptual model must offer a solution or it is limited in its quality. Files might appear accessible to users but be untouchable. "Simplified models are valuable only as long as the assumptions that support them hold true."

Questions and answers

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The ideas presented in The Design of Everyday Things can be implemented in real-world scenarios by adopting a "human-centered" design system. This involves understanding the needs and limitations of the end user and designing products that are intuitive and user-friendly. For instance, if a cloud storage system is being designed, the conceptual model should be such that it offers solutions when things go wrong, like missing information. The system should be designed in a way that even if files appear accessible but are untouchable, the user should be able to understand why that is the case and what they can do about it. The key is to make sure that the assumptions supporting the simplified models hold true in real-world scenarios.

The book "The Design of Everyday Things" by Don Norman challenges existing paradigms in product design by introducing the concept of "human-centered" design. This approach emphasizes the importance of designing products that are intuitive and user-friendly, taking into account the way humans naturally interact with their environment. The book argues that when a product is not easy to use, the problem lies not with the user, but with the design of the product itself. This perspective shifts the focus from blaming the user for their mistakes to improving the design to prevent these mistakes from happening in the first place.

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The psychology of everyday actions

"Emotion is highly underrated," Norman writes. "In fact, the emotional system is a powerful information processing system that works in tandem with cognition. Cognition attempts to make sense of the world: emotion assigns value. It is the emotional system that determines whether a situation is safe or threatening, whether something that happens is good or bad, desirable or not. Cognition provides understanding: emotion provides value judgments." Perhaps more reason for engineers to soften their hard-logic-based approach: people are emotional creatures and must be accepted as such.

Questions and answers

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Some real-world examples of products that have successfully implemented the practices of human-centered design include the iPhone by Apple, the Nest Thermostat, and the OXO Good Grips kitchen tools. These products were designed with the user's needs and experiences at the forefront, resulting in intuitive and user-friendly designs.

The concept of "emotion assigns value" can be applied in product design across various industries by creating products that evoke positive emotions in users. This can be achieved by focusing on aesthetics, usability, and functionality that cater to the emotional needs of the users. For instance, in the automobile industry, a car can be designed with sleek lines and luxurious interiors to evoke feelings of prestige and luxury. In the tech industry, a user-friendly interface can make users feel empowered and efficient. Thus, by understanding and incorporating the emotional responses of users, designers can create products that are not only functional but also emotionally appealing.

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Relatedly, Norman suggests designers consider three levels of processing: 1. visceral, or automatic responses, behavioral, or well-learned actions triggered by situations, and reflective, or conscious opinion in hindsight. Design must take place at all levels. Bad designs can induce frustration and anger; good designs can induce pride, enjoyment, and calm.

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Designers need to consider principles beyond logic, such as psychology and cognitive science, because these principles help in creating products that are user-friendly and intuitive. Understanding how the human mind works can help designers predict how users will interact with their products. This can lead to designs that are more effective, efficient, and satisfying for the user. For example, understanding cognitive science can help designers create products that align with how our memory works, making them easier to use and remember. Similarly, understanding psychology can help designers tap into emotions, creating products that are not only functional but also enjoyable and engaging.

Good design can induce positive emotions such as pride, enjoyment, and calm by considering three levels of processing: visceral, behavioral, and reflective. Visceral responses are automatic and can be triggered by aesthetically pleasing elements. Behavioral responses are triggered by well-learned actions, so a design that is intuitive and easy to use can induce feelings of enjoyment. Reflective responses are conscious opinions formed in hindsight, so a design that meets or exceeds expectations can induce feelings of pride and calm.

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Find meaning in failure

Norman recommends designers change their perception of failure—that they incorporate more positive psychology into their work. When one designs something new, they should do not worry about failure. What's more:

  1. Do not blame others for their inability to use your design.
  2. Take people's difficulties as signifiers of where the product can be improved.
  3. Eliminate all error messages from electronic or computer systems; instead, provide help and guidance.
  4. Make it possible to correct problems directly from help and guidance messages; don't impede users' tasks, and don't make them start over.
  5. Assume what someone has done is partially correct; provide guidance that allows them to correct the problem and move on.
  6. Think positively for yourself and the people you interact with.

Knowledge in the head and in the world

"A friend kindly let me borrow his car, an older, classic Saab. Just before I was about to leave, I found a note waiting for me: 'I should have mentioned that to get the key out of the ignition, the car needs to be in reverse.' The car needs to be in reverse! If I hadn't seen the note, I never could have figured that out. There was no visible cue in the car: the knowledge needed for this trick had to reside in the head. If the driver lacks that knowledge, the key stays in the ignition forever." Norman uses this as a warning: designers must make it obvious what must be done to use the things they design.

Questions and answers

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Some common mistakes designers make that prevent users from intuitively understanding how to use their products include:

1. Lack of clear instructions: Users should not have to guess or remember complex steps to use a product. Instructions should be clear, concise, and easily accessible.

2. Poorly designed user interface: The user interface should be intuitive and easy to navigate. Complex or confusing interfaces can deter users.

3. Ignoring user feedback: Designers should always take into account the feedback from users. Ignoring this can lead to design flaws and user dissatisfaction.

4. Not considering user diversity: Designers should consider the diverse needs and abilities of users. A product that is not accessible or usable by a wide range of users can be seen as a design failure.

The principles of psychology, cognitive science, and art can significantly improve product design across industries by enhancing user experience and interaction. Psychology helps in understanding user behavior, needs, and motivations, which can inform the design process to create more intuitive and user-friendly products. Cognitive science can contribute by providing insights into how users process information, make decisions, and interact with products. This can help in designing products that align with the user's cognitive processes, reducing cognitive load and improving usability. Art, on the other hand, can enhance the aesthetic appeal of products, making them more attractive and engaging for users. It can also aid in conveying the product's purpose and functionality through visual cues.

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There are two types of knowledge that people use on a day-to-day basis: knowledge of—referred to by psychologists as declarative knowledge (remember to stop at red traffic lights)—and knowledge how—also known as procedural knowledge (knowledge of how to play a musical instrument). One need not recall exactly what a coin looks like to pay for things; knowledge that it is a coin is enough.

Questions and answers

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Knowledge of" and "knowledge how" are two different types of knowledge that we use in our daily lives.

"Knowledge of", also known as declarative knowledge, refers to the factual information we know. It's the knowledge about something, such as knowing that we should stop at red traffic lights. This type of knowledge is often explicit, meaning it can be easily communicated or explained to others.

On the other hand, "knowledge how", also known as procedural knowledge, refers to the skills or procedures we know how to perform. It's the knowledge of how to do something, such as playing a musical instrument. This type of knowledge is often implicit or tacit, meaning it's harder to communicate and is often learned through practice and experience.

In essence, "knowledge of" is about facts, while "knowledge how" is about skills and procedures.

The lessons from "The Design of Everyday Things" can be applied in today's business environment in several ways. Firstly, businesses can adopt a "human-centered" design system. This means designing products or services with the end-user in mind, considering their needs, preferences, and limitations. Secondly, businesses can focus on the three most important areas of design: visibility, feedback, and constraints. Visibility ensures that users can see what functions are available. Feedback provides users with information about what action has been performed and what results have been achieved. Constraints limit the actions that can be performed, preventing errors. Lastly, businesses can differentiate between declarative knowledge (knowledge of) and procedural knowledge (knowledge how) in their operations. Understanding these two types of knowledge can help businesses improve their training programs, product designs, and overall customer experience.

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Use the world to remember stuff

How does a pilot remember so much? They are given myriad complex instructions before they take flight. The answer is that they don't. They do not leave the unreliable short-term or working memory responsible for such important decisions. There is too much to remember to do. Therefore, pilots take advantage of their plane's equipment to 'remember' important information. This is the design implication: for the risk of failure to be mitigated, designers must consider the limitations of human memory.

Questions and answers

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The ideas from The Design of Everyday Things can be implemented in real-world scenarios to mitigate the risk of failure due to human memory limitations by adopting a "human-centered" design system. This involves understanding and considering the limitations of human memory in the design process. For instance, instead of relying on users to remember complex instructions or processes, designers can create systems or tools that "remember" for them, similar to how a pilot uses the plane's equipment to remember important information. This could involve the use of visual cues, reminders, or automated processes. The key is to reduce the cognitive load on the user, making products or systems more user-friendly and less prone to errors due to memory limitations.

The key principles behind the human-centered design system, as explained in The Design of Everyday Things, are understanding and accommodating the limitations of human memory and cognition. This involves designing products that work around these limitations rather than expecting users to adapt. For example, designers should not rely on users' short-term memory for important tasks and should instead use design elements that 'remember' for them. This reduces the risk of failure and makes the product more user-friendly.

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'Prospective memory' denotes the task to remember to do something in the future. For this, one needs a reminder of it. A reminder is made up of two main components: a signal and a message. A signal lets one know something needs to be remembered; a message informs one what the thing to be remembered actually is.

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The theme of prospective memory in "The Design of Everyday Things" relates to contemporary debates in product design in terms of how products can be designed to aid human memory. Prospective memory refers to the task of remembering to do something in the future. In product design, this concept can be applied by creating products that serve as reminders or cues for certain tasks. This is particularly relevant in today's digital age where products such as smartphones and smart home devices are designed with features to assist with prospective memory, such as setting reminders or alarms. This ties into the larger debate on how product design can enhance human capabilities and improve user experience.

Small businesses can leverage the concept of prospective memory in product design by incorporating reminders within the product that signal users about future tasks. These reminders can be designed as signals and messages. A signal alerts the user that something needs to be remembered, while the message informs the user about what exactly needs to be remembered. By doing so, the product becomes more user-friendly and intuitive, enhancing the overall user experience.

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Activity-centered design

Given that spatial mapping of switches (such as light switches) is not always appropriate, activity-centered controls are sometimes a nice solution. For example, many auditoriums have activity-based switches; a switch might be labeled 'lecture', which when pressed activates the correct balance of light (nearer the back of the hall) and darkness (near a projector or screen, so it's easier for the audience to see the presentation).

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Startups can leverage the concept of activity-centered controls to improve their product design by focusing on the activities that users will be performing with the product. This involves understanding the user's needs, tasks, and context of use. By designing controls that are intuitive and directly related to the user's tasks, startups can enhance the usability and user experience of their products. For instance, in a software application, instead of having a complex menu system, functions could be grouped according to the tasks users perform, making it easier for users to find and use them.

Yes, there are several examples of products that have successfully incorporated activity-centered controls. One such example is the modern car dashboard. The controls are designed around the activities the driver needs to perform, such as adjusting the temperature, changing the radio station, or navigating the GPS. Each of these controls is designed with the activity in mind, making it intuitive for the driver to use. Another example is a home theater system, where a single remote control has buttons for different activities like watching TV, playing a DVD, or listening to music. Each button activates the appropriate devices and settings for that activity.

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Sound in design

Norman writes of the importance of sound used in design to offer positive or negative feedback. Think of the tinny sound heard when a car door fails to close properly. Then, compare that to the satisfying catch sound when it closes correctly.

For blind people, the lack of sound that comes from new electric vehicles is a problem. The ability to listen out for a car's revs is often how blind people know whether it is safe to cross a road. Because of this, sounds are now added to electric vehicles to make them safer.

Skeuomorphic design can help

Skeuomorphic is the name given to something new to resemble something old, like early plastics that resembled wood. Skeuomorphic designs can be useful conceptual models that aid learning; recall the example of 'folders' and 'files' in your computer's hard drive. This makes it easy for users to know what's happened.

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A manufacturing company can apply the principles of human-centered design by focusing on the needs, capabilities, and behaviors of the end users. This could involve conducting user research to understand their needs and pain points, and then designing products that address these issues. The company could also use prototyping and iterative testing to refine the product based on user feedback. Additionally, the company could apply the concept of skeuomorphic design, making new products resemble familiar ones to aid user understanding and learning.

Yes, there are several examples of companies that have successfully implemented skeuomorphic designs in their products. One of the most notable examples is Apple, which used skeuomorphic designs extensively in the early versions of iOS. The design elements like the bookshelf in iBooks, the leather stitching in Calendar, and the reel-to-reel tape deck in Podcasts are all examples of skeuomorphism. Another example is Microsoft with its desktop interface, which uses icons like the trash can and folders, resembling real-world objects to make the user interface more intuitive.

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Human error? No, bad design

If a person fails to understand their home thermostat, who is at fault, the technology, or the person? Norman believes it is often the technology.

Technologies that people must use each day should not be as complex as they often are. Rather than blame ourselves, we ought to expect more of our everyday things.

Most industrial accidents—between 75% and 95%—are caused by human error. Norman thus poses the question: How is it that people are so incompetent? His answer: they aren't. It is a design problem.

"We design equipment that requires people to be fully alert and attentive for hours or to remember archaic procedures even if they are only used infrequently, sometimes only once in a lifetime. We put people in boring environments with nothing to do for hours on end, until suddenly they must respond quickly and accurately. Or we subject them to complex, high-workload environments, where they are continually interrupted while having to do multiple tasks simultaneously. Then we wonder why there is a failure."

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A startup can use the key topics or frameworks covered in "The Design of Everyday Things" to improve their product design by implementing the principles of "human-centered" design. This involves understanding the needs and limitations of the end user, and designing products that are intuitive and user-friendly. The startup should focus on three main areas of design: visibility, feedback, and constraints. Visibility ensures that the user can see what functions are available. Feedback provides the user with a clear understanding of the results of their actions. Constraints limit the actions that can be performed, preventing user errors. The startup should also avoid designing products that require the user to be fully alert for long periods, remember complex procedures, or respond quickly and accurately after long periods of inactivity.

The themes in The Design of Everyday Things are highly relevant to contemporary issues and debates in product design. The book emphasizes the importance of user-centered design, which is a key topic in today's design discussions. It highlights the need for products to be intuitive and easy to use, taking into account human error and cognitive limitations. These themes align with current debates about the role of design in enhancing user experience and accessibility, and in reducing cognitive load for users.

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Understanding why there is an error

Errors occur for many reasons: people are asked to be alert for hours on end, they must multitask, they must operate machinery that makes it difficult to resume operation after distraction (despite the very human inclination to be distracted by things), and so on. But for Norman, perhaps worst of all is people's attitudes towards error.

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The Design of Everyday Things" by Don Norman has significantly influenced corporate strategies in product design by introducing the concept of "human-centered" design. This approach emphasizes the importance of understanding the users' needs and behaviors, and designing products that are intuitive and easy to use. It has led corporations to invest more in user research and usability testing, and to incorporate these insights into their design processes. This has resulted in products that are more user-friendly, efficient, and successful in the market.

Yes, there are several companies that have successfully implemented the design principles outlined in "The Design of Everyday Things". Apple is a prime example, with its focus on user-friendly design and intuitive interfaces. Google's Material Design also follows these principles, emphasizing simplicity and functionality. Airbnb, with its easy-to-use platform, is another example. These companies prioritize human-centered design, making their products easy to use and understand.

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"If the system lets you make an error, it is badly designed. And if the system induces you to make the error, then it is really badly designed. When I turn on the wrong stove burner, it is not due to my lack of knowledge: it is due to poor mapping between controls and burners. Teaching me the relationship will not stop the error from recurring: redesigning the stove will."

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The Design of Everyday Things" by Don Norman is a seminal work in the field of design, particularly in its emphasis on "human-centered" design. This approach places the user's psychological and cognitive processes at the forefront of product design. Norman argues that good design should work around the flaws in human logic, rather than forcing users to adapt to the design. This is directly related to contemporary debates on the importance of psychology and cognitive science in product design, as it underscores the need to understand how users think and behave in order to create effective, user-friendly products.

The concept of human-centered design system challenges traditional practices in product design by shifting the focus from the product itself to the user. Traditional design often prioritizes aesthetics or functionality, sometimes overlooking how the user will interact with the product. Human-centered design, on the other hand, prioritizes the user's needs, abilities, and behavior. It aims to minimize user errors by designing systems that are intuitive and easy to use. For example, if a stove's design often leads users to turn on the wrong burner, a human-centered design approach would seek to redesign the stove to prevent this common error.

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Two types of errors: slips and mistakes

There are two types of errors: slips and mistakes. A slip occurs when someone intends to do one action but does something else. There are two kinds of slips: action-based, like when someone pours milk into coffee and then puts the coffee cup back in the refrigerator; and memory-lapse, like when someone forgets to turn the gas off after cooking.

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Startups can use the principles from The Design of Everyday Things to improve their product design by focusing on human-centered design. This involves understanding the users, their needs, and their limitations. Startups should also consider the two types of errors: slips and mistakes, and design their products in a way that minimizes the occurrence of these errors. For instance, they can design interfaces that are intuitive and easy to understand, reducing the chance of action-based slips. They can also incorporate reminders or safeguards in their design to prevent memory-lapse mistakes.

The three most important areas of design according to The Design of Everyday Things are: 1. Visibility - The more visible functions are, the more likely users will be able to know what to do next. 2. Feedback - It is about sending back information about what action has been done and what has been accomplished. 3. Constraints - The design concept of constraining refers to determining ways of restricting the kind of user interaction that can take place at a given moment.

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A mistake occurs when the wrong goal is established in the first place. There are three kinds of mistakes: rule-based, like when the right diagnosis is made but the wrong course of action is planned; knowledge-based, like when a problem is misdiagnosed because of erroneous or incomplete knowledge; and memory-lapse, when stages of goals, plans, or evaluation are forgotten.

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The ideas in The Design of Everyday Things have significant potential for real-world implementation. The book's principles of human-centered design can be applied to improve the usability and functionality of everyday objects, systems, and environments. This could range from designing more intuitive software interfaces, to creating household appliances that are easier to use, to developing public spaces that are more navigable. The book's insights into human error can also be used to design systems that anticipate and mitigate common mistakes, enhancing safety and efficiency.

Small businesses can use the key topics or frameworks covered in The Design of Everyday Things to improve their product design by adopting a "human-centered" design system. This approach emphasizes understanding and catering to the needs, abilities, and limitations of the end-user. It involves three important areas of design: visibility, feedback, and constraints. Visibility ensures that the correct parts of a product are visible and convey the right message. Feedback involves communicating the result of an action to the user. Constraints limit the actions that can be performed, helping to guide the user towards the correct usage of the product. By understanding and applying these principles, small businesses can enhance the usability and appeal of their products, leading to improved customer satisfaction and business success.

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The swiss-cheese model of how errors lead to accidents

British researcher James Reason first likened error to Swiss cheese. He argued that when systems go badly wrong, like when a nuclear power plant explodes, multiple things must go wrong and thus align in a grim cocktail of error. Think of holes in different pieces of Swiss cheese that line up so that a single straight line could pass through each of them. Norman says this is why most analyses of error are doomed to fail: stakeholders usually stop their investigation when they find one thing that went wrong. However, the answer is to be found further ahead, as catastrophes are usually caused by multiple things that go wrong rather than only one.

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The book "The Design of Everyday Things" discusses the potential for its ideas to be implemented in real-world scenarios by providing a framework for understanding and analyzing the causes of errors in systems. It emphasizes the importance of a "human-centered" design system and argues that most errors occur when multiple things go wrong simultaneously, rather than a single error. This concept can be applied in various real-world scenarios to prevent catastrophes and improve system design.

Human-centered design is a creative approach to problem solving that starts with people and ends with innovative solutions that are tailor-made to suit their needs. It involves understanding the needs, wants and limitations of end users of a product at each stage of the design process. The concept, as explained in the book, emphasizes on the importance of designing products that align with human capabilities and limitations, rather than forcing humans to adapt to the design.

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Design thinking

Design thinking asks designers to solve a problem only if they are certain it is the right problem to solve. One should scrutinize an issue to the high heavens before they attempt to solve it. This is how design thinking works.

"Design thinking has become the hallmark of the modern design firm," Norman writes. There are two key types of design thinking: the double-diamond diverge-converge model of design and human-centered design. There are two stages of this model: problem and solution, which are, for simplicity's sake, the two phases of design. Each stage involves divergence and convergence.

To use the 'problem' stage as an example, one must first diverge the approach and consider various possibilities to determine what the real problem is. Then, they must converge when they feel the right problem has been identified. Divergence is to consider possibilities; convergence is to decide the next course of action. This divergence/convergence occurs at both the problem and solution phases.

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The divergence and convergence method is a crucial part of the human-centered design system as discussed in The Design of Everyday Things. In the problem stage, divergence allows for the consideration of various possibilities to identify the real problem. This involves broad thinking and exploration of different perspectives. Once the right problem is identified, convergence comes into play. This is the process of deciding the next course of action, narrowing down the options, and focusing on a specific solution. This method ensures a comprehensive understanding of the problem and a focused approach towards the solution, making it a key component of the human-centered design system.

Some examples of products that have successfully implemented the divergence and convergence approach in their design process include the iPhone, Tesla cars, and Google's search engine. The iPhone, for instance, diverged by reimagining the mobile phone as a multi-purpose device and converged by focusing on user-friendly design and intuitive interfaces. Tesla diverged by envisioning electric cars as a viable alternative to fossil fuel vehicles and converged by developing efficient battery technology and sleek car designs. Google's search engine diverged by aiming to index the entire web and converged by constantly refining its search algorithms for relevance and speed.

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Human-centered design

Human-centered design actually takes place within the double-diamond model. Human-centered design refers to how exactly problems and solutions are discovered. It is, according to Norman: "The process of ensuring that people's needs are met, that the resulting product is understandable and usable, that it accomplishes the desired tasks, and that the experience of use is positive and enjoyable." There are four different activities of the human-centered design process.

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Designers need to consider principles such as psychology, cognitive science, and art in addition to logic when designing products because these principles help in creating products that are user-friendly and meet the needs of the users. Psychology and cognitive science help in understanding how users think, behave, and process information, which can be used to design products that are intuitive and easy to use. Art, on the other hand, contributes to the aesthetic appeal of the product, making it more attractive to users. All these principles, along with logic, contribute to the creation of products that are not only functional but also enjoyable to use.

The double-diamond model contributes to the human-centered design system by providing a framework for problem-solving. It consists of four phases: Discover, Define, Develop, and Deliver. In the Discover phase, designers gather information and explore the problem space. In the Define phase, they narrow down the problem and define a clear brief. In the Develop phase, they generate a range of possible solutions. Finally, in the Deliver phase, they finalize, produce, and launch the solution. This model ensures that the design process is thorough, flexible, and user-focused, thereby meeting people's needs and making the product understandable and usable.

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  1. Observation — this form of design research involves simply observations of people as they use products and behave as they normally would. The goal is to understand the nature of a problem
  2. Idea generation — creativity is critical at this stage. Norman recommends to generate a lot of ideas, create without regard for constraints, and question everything
  3. Prototype — the only way to really know if an idea is reasonable is to test it. Build a quick prototype or mock-up of each potential solution
  4. Test — gather a person or group of people as closely resemblant to the target demographic as possible to test the thing you have designed. Norman recommends to study five people individually; then, when those tests have been analyzed, study five more people individually, and so on

Activity-centered design

When one develops products that are to be used by people all over the world, like refrigerators, cameras and computers, activity-centered design is an accent method to human-centered design. Here, it is important to "let the conceptual model of the product be built around the conceptual model of the activity."

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Psychology, cognitive science, and art play a crucial role in product design. Psychology helps understand user behavior and needs, cognitive science aids in understanding how users process information and make decisions, and art contributes to the aesthetic and usability aspects of the product. These disciplines together help in creating a 'human-centered' design system, which is the core concept of 'The Design of Everyday Things'. This approach ensures that the product is intuitive, user-friendly, and aesthetically pleasing.

Activity-centered design contributes to the improvement of everyday products like refrigerators, cameras, and computers by focusing on the activities that users will perform with these products. This approach allows designers to create products that are more intuitive and easier to use because they align with the natural behaviors and expectations of the users. For example, a camera designed with activity-centered design would consider the process of taking a photo, from framing the shot to adjusting settings and finally capturing the image. This could result in a camera that has a more ergonomic design, intuitive controls, and features that enhance the photography experience.

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For example, the core components of cars are pretty much identical in every country. So, when the goal is to design more effective and efficient cars, designers should consider the principles of how to drive. A heads-up displays mean that critical instrument and navigation information are displayed in the space in front of the driver so they don't have to take their eyes off the road to see it; automatic functionality mean that there is no need for the clutch pedal; and so on.

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The case study of car design in The Design of Everyday Things presents a human-centered design approach. The core components of cars are identical worldwide, implying a universal design language. The design focuses on enhancing efficiency and effectiveness. For instance, heads-up displays allow drivers to access critical information without taking their eyes off the road, enhancing safety. Automatic functionality eliminates the need for a clutch pedal, simplifying the driving process. The broader implication is that good design should prioritize user needs and behaviors to enhance usability and safety.

The ideas from The Design of Everyday Things are highly feasible to implement in real-world product design scenarios. The book emphasizes on "human-centered" design system which is a crucial aspect in today's product design. It encourages designers to consider the user's needs, capabilities, and behavior in the design process. This approach can lead to products that are more intuitive, efficient, and enjoyable to use. However, the implementation of these ideas requires a deep understanding of the principles and a commitment to user-centered design. It may also require more time and resources in the design process, but the end result is often worth the investment.

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Standardization

We often take standardized technology for granted. Clocks are standardized, but if you change the image of a clock from the one most people know, it becomes much more difficult to read. Even if the new clock is more logical, the further it deviates from the standardized version, the more difficult it is for humans to read.

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Standardized technology challenges existing paradigms in product design by setting a norm or standard that users are accustomed to. When a product deviates from this standard, even if it's more logical or efficient, it can be difficult for users to adapt to. This is because humans are creatures of habit and find comfort in familiarity. Therefore, designers must strike a balance between innovation and user-friendliness, which can be a significant challenge.

Startups can apply the frameworks of human-centered design by focusing on the needs, capabilities, and behaviors of the users. This involves understanding the users' needs through research, creating user personas, and designing solutions that meet these needs. The design should be intuitive and easy to use, taking into consideration the users' cognitive limitations. It's also important to test the design with real users and iterate based on their feedback.

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Sometimes the goal is to deliberately make things difficult

But not everything should be made easy to use. If something ought to be inaccessible or difficult, it should be designed that way. Think of a high-security safe. If the safe is difficult to operate but was designed that way, under the principles of good design it is designed well. It all depends on the object's purpose.

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'The Design of Everyday Things' by Don Norman incorporates principles from psychology, cognitive science, and art into the design process by focusing on the concept of 'human-centered' design. This approach emphasizes understanding the user's needs, capabilities, and behavior, which is where psychology and cognitive science come into play. The book discusses how designers can improve their products by working around flaws in human logic, which is a principle derived from cognitive science. The art aspect comes into play in the aesthetic and creative elements of design, which are crucial for making products appealing and engaging for users.

A product should be designed to be difficult to use when its purpose requires it to be inaccessible or difficult. For instance, a high-security safe is designed to be difficult to operate to ensure its security. The difficulty in operation is intentional and under the principles of good design, it is designed well. The key factor is the object's purpose.

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